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Religious Places

India A Religious Place

The name of some of the religious places is given below-

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The Golden Temple or Darbar Sahib, situated in Amritsar, Punjab, is the most sacred temple for Sikhs. It is a symbol of the magnificence and strength of the Sikh people all over the world. In the evolution of the Darbar Sahib, is entwined the history and ideology of Sikhism. In its architecture are included, symbols associated with other places of worship. This is an example of the spirit of tolerance and acceptance that the Sikh philosophy propounds.

The history of the Darbar Sahib starts with Guru Amar Das, who took the first steps towards building a shrine. Around the Golden Temple, the holy city of Amritsar came into being. His successor, Guru Ram Das, came to live near this tranquil and peaceful site, and started building the pilgrimage centre around the small pool, (later to become the Sarowar) which had intially drawn Guru Amar Das.

By the time of Guru Ram Das' death, the pre eminence of the Darbar Sahib among the sikh devotees was unquestionable.

The Harmandir Sahib, or the sanctum sanctorium, was envisoned by Guru Arjan Dev. This was concieved by him to reflect the resoluteness, clarity and simplicity of the Sikh relegion. The Harmindir Sahib today stands as the hallowed symbol of the indestructability of the Sikh faith. He designed it to have four doors, one on each side. The Golden Temple, would thus be open to all four castes-Kshatriyas, Brahmins, Sudras & Vaisyas.

The gilding, marble, mirror and inlay work on the Harmandir Sahib came much later. It was the nineteenth century during the reign of Maharaja Ranjit Singh, that the proud people of Punjab lavished their wealth on their shrine in Amritsar.

The Granth Sahib, the holy book of the Sikhs, was installed in the Harmandir Sahib in 1604, three years after its completion. The location of the Granth Sahib here, adds to the sanctity & reverence of the Harmandir Sahib. Here lies the heart of Sikhism. This symbol of abiding faith and tolerance is held in high esteem by every Sikh. And this is the place which every Sikh dreams, ever so often, of visiting.

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Vaishno Devi

Everyday of the year a mass of humaity surges up steep pathways that cut across the hillside for mile after mile. Popular belief holds that anybody who walks the Himalayan trail to her abode to ask for a boon rarely goes back disappointed. There are many who journey here year after year to pay obeisance regardless of their faith or belief, creed or class, caste or religion, for Mata Vaishno Devi transcends all such barriers.

As the legend goes, more than 700 years ago Vaishno Devi a devotee of Lord Vishnu, used to pray to Lord Rama and had taken vow of celibacy. Bhairon Nath, a tantric (demon-God) tried to behold Her. Making use of his tantric powers, Bhairon Nath was able to see Her going towards the Trikuta mountains and gave chase. The Goddess felt thirsty at Banganga and shot an arrow into the earth from where water gushed out. Charan Paduka, marked by the imprints of Her feet, is the place where she rested. The Goddess then meditated in the cave at Adhkawari. It took Bhairon Nath nine months to locate Her, the reason why the cave is known as Garbh Joon. Mata Vaishno Devi blasted an opening at the other end of the cave with Her Trident when the demon-God located Her.

On arriving at the Holy Cave at Darbar, she assumed the form of Maha Kali and cut off Bhairon Nath's head which was flung up the mountain by the force of the blow and fell at the place where the Bhairon Temple is now located. The boulder at the mouth of the Holy Cave according to the legend is the petrified torso of Bhairon Nath who was granted divine forgiveness by the benevolent Mata in his dying moments

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Sacred Heart Catherdal
Further north, at the south end of Bhai Vir Singh Marg, is one of Medd's more ambitious projects, the Roman Catholic Church of the Sacred Heart.
This Church displays a strong Italianate influence, with a facade of white pillars supporting a canopy set against a dark brick background, and circular arcaded turrets rising above the roof to each side of the entrance porch. The lofty interior has a towering curved roof, polished stone floors and broad arches set into smooth walls, presenting a very grand look.

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A Religious Masterpiece
The construction work continued for six years, ending in 1644. The structure was placed on a high platform so that its magnificent facade would be visible from all the adjoining areas. It's an austere, yet, a beautiful building. Just like other buildings of Shahjahanabad, this one was also built with red sandstone. White marble has also been used extensively, specially in the three domes and has been inlaid with stripes of black.
The pulpit is one of its best features, being carved out of a single block of marble. Built by a workforce of 5,000 people, the mosque's three gateways, four towers and two minarets are testimony to the fine architecture of that period. The slender minarets grace the facade, one on each side, rising to a height of 130-feet. The eastern gate was reserved for the Emperor when he used to arrive here every Friday and on Id.
A stadium like courtyard greets the visitors as they enter this mosque in the Old Delhi area. Wide staircases and arched gateways are the hallmark of this popular mosque. There is a small shrine within that houses the relic of the Prophet as well as the Holy Koran. Its courtyard has a capacity to hold nearly 25,000 worshippers and is also open to the general public.
The Mosque was based on the plan and design of Ostad Khalil, the then great Sculptor. Emperor Shahjahan built Jama Masjid at the cost of Rs 10 crore and it can be called as the replica of Moti Masjid in Agra. The premises of the South Minar are 1076-sq-ft wide where 25,000 devotees at a time may sit together for namaz.
The Masjid also comprise of a great treasure that has been kept in the northeast corner of the white shrine- a hair of the beard of Hazrat Mahmmad, his used chappal, a chapter of Koran taken from its original holy book, the canopy of his tombstone and the foot print of Muhammad on the stone.
 


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